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[Exactly] CATALOGHI | casa d’aste czerny’s sarzana – Verified

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116

Uncommon and Fine Antique Arms &amp Armour, Orders and Militaria
12/11/2021

114

Jewels
09/07/2021

113

Fine Antique Arms &amp Armour
25/05/2021

111

Fine Antique Arms &amp Armour
09/04/2021

109

Fine Antique Arms &amp Armour
19/12/2020

108

Two Private Collections of Uncommon Antique Asian Arms
18/12/2020

105

Fine Antique Arms &amp Armour
19/09/2020

104

Crucial militaria and decorations
18/09/2020

one hundred

Fine and Scarce Antique Arms &amp Armour
27/03/2020

97

Fine and Scarce Antique Arms &amp Armour
14/12/2019

96

Indonesian Arms – IFICAH Funding Sale
13/12/2019

94

Fine and Scarce Antique Arms &amp Armour
14/09/2019

92

Fine and Scarce Antique Arms &amp Armour
15/06/2019

90

Fine and Scarce Antique Arms &amp Armour
30/03/2019

88

Fine and Scarce Antique Arms &amp Armour
08/12/2018

87

HORSE The Equestrian Collectibles Sale
7/12/2018

85

Fine and Scarce Antique Arms &amp Armour
15/09/2018

84

HORSE The Equestrian Collectibles Sale
14/09/2018

82

Fine and Scarce Antique Arms &amp Armour
09/06/2018

80

Fine antique arms
23/03/2018

79

Asta 79
23/03/2018

77

Asta 77
eight/12/2017

76

Asta 76
9/12/2017

74

Chinese ceramics &amp functions of art
29/09/2017

73

Asta 73 Armi Antiche
16-09-2017

71

Fine and Scarce Antique Arms &amp Armour
ten-06-2017

69

Fine and Scarce Antique Arms &amp Armour
25-03-2017

66

Fine and Scarce Antique Arms &amp Armour
ten-12-2016

65

Chinese Ceramics and Functions of Art
22-ten-2016

64

East European and Russian Icons
22-ten 2016

62

The Autumn Sale of Antique Arms &amp Armour
17-09-2016

61

The Dr. Bonucci Collection of Scarce Firearms
16-09-2016

59

Asta 59
11-06-2016

57

Asta 57
26-03-2016

55

Crucial Militaria, Fine Antique Arms &amp Armour
12-12-2015

53

Crucial Militaria, Fine Antique Arms &amp Armour
19-09-2015

51

Crucial Militaria, Fine Antique Arms &amp Armour
30-05-2015

50

Asta 50
28-03-2015

48

Asta 48
06-12-2014

47

Fine &amp Scarce Antique Arms, Armour, and Militari
20th of September 2014

45

Fine &amp Scarce Antique Arms, Armour and Militaria
31st of Might – 1st of June 2014

44

Fine Antique Arms and Armour: The K. De Clercq Collection and other properties
29-03-2014

43

Auction 43 (two Volumes)
16-17/11/2013

42

Wunderkammer � Cabinet of Curiositie
19-ten-2013

41

Auction 41
08-06-2013

40

Auction 40 (two Volumes)
25-26/05/2013

39

A Winter Sale of Antique Arms &amp Armour from Czerny’s Warehouse
16 Febbraio 2013

38

Autumn Sale of Fine Antique Arms &amp Armour
17-18 november 2012

37

Militaria � the Dr. Scilla Collection
16-11-2012

36

Auction 36 Fine Chinese &amp Asian Antiques
16-06-2012

35

Auction 35 The Spring Sale of Fine Antique Arms &amp Armour
two-three/06/2012

34

Winter Sale of Antique Arms from Czerny’s Warehouse &amp a museum of WWII German Militaria
25th &amp 26th of February 2012

33

Asta 33 Fine Chinese and Asian Antiques
11th of December 2011

32

Czerny’s Autumn Auction of Fine Arms &amp Armour
8th and 9th October 2011

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31

Fine Chinese and Asian Antiques
11th of June 2011

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30

The Spring Sale of Fine Antique Arms &amp Armour, Russian Orders and Militaria.
2nd and 3rd of April 2011

29

The Autumn Sale of Antique Arms &amp Armour, Antiques and Militaria – Catalogue in three volumes
2nd and 3rd of October 2010

28

The Spring Sale of Fine Antique Arms &amp Armour
21st of March 2010

27

The Carlo Garello collection of Treasures of the Glorious Navies
20th of March 2010

26

Asta Autunnale Armi Antiche, Ordini e Militaria
24th and 25th of October 2009

24 -25

The Spring Sale of Fine Luxury Arms and Armour
14th and 15th of March 2009

23

An Extraordinary Autumn Sale of Fine Arms, Armour and Militaria
17th of October 2008

22

The Spring Sale of Fine Arms, Armour and Militaria (Two Volumes)
7th and 8th of June 2008

21

The Autumn Sale of Fine Arms, Armour and Militaria
25th of November 2007

20

the Sigrid e Werner Mewes Collection
24th of November 2007

19

Fine Antique Arms &amp Armour Sale
26th and 27th of Might 2007

18

Antique Arms &amp Armour, Orders and Militaria Auction
2nd and 3rd of December 2006

17

Spring Sale of Fine Arms &amp Armour (two volumes)
27th and 28th of Might 2006

16

Fine Arms &amp Armour
3rd and 4th of December 2005

15

Antique Arms &amp Armour and Militaria (two volumes)
28th and 29th of Might 2005

14

Fine Arms &amp Armour
20th and 21th of November 2004

13

Fine Antique Arms &amp Armour (two Volumes)
22nd and 23rd of Might 2004

12

Antique Arms &amp Armour and Militaria
15th of November 2003

11

Antique Arms &amp Armour and Militaria
30th and 31st of Might 2003

ten

Fine Arms &amp Armour
5th of April 2003

9

Fine Arms &amp Armour
16th and 17th of November 2002

eight

Fine Arms &amp Armour
11th and 12th of Might 2002

7

Fine Antique Arms &amp Armour Sale
11th and 12th of Might 2002

six

Fine Arms &amp Armour (two volumes)
24th and 25th of November 2001

five

Fine Arms &amp Armour (two vol.)
28th and 29th of April 2001

four

Fine Arms &amp Armour
7th and 8th of October 2000

three

Fine Arms &amp Armour
3rd of June 2000

two

Antique Arms &amp Armour and Militaria
1st and 2nd of April 2000

1

Antique Arms &amp Armour and Militaria
Autumn 1999


Vittorio Monti: Csárdás


Vittorio Monti: Csárdás
Andreas Ottensamer, clarinete
Nemanja Radulović, violín
Konzerthausorchester Berlin
Pablo HerasCasado
(2015)

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Vittorio Monti: Csárdás

Johannes Brahms – Hungarian Dance No. five


Johannes Brahmsr
Hungarian Dance No. five in G minorr
r
The German composer, pianist, and conductor Johannes Brahms (18331897) was 1 of the most important composers of the 19th century. His functions tremendously enriched the romantic repertory.

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Johannes Brahms - Hungarian Dance No. 5

Matteo Olivero – Sant’Agostino Casa d’Aste – Asta 144 – Lotto 422


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LOTTO: https://www.santagostinoaste.it/opere/oliveromatteoprimiraggidronero1904144442.asp
PER VALUTAZIONI: https://valutazioni.santagostinoaste.it/
(+39) 011 4377770 information@santagostinoaste.it
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Matteo Olivero - Sant'Agostino Casa d'Aste - Asta 144 - Lotto 422

Luciano Sgrizzi (harpsichord) J.S. Bach, Concertos (Vivaldi) pour clavecin seul par J.S. Bach


Luciano Sgrizzi Neupert harpsichord, ‘Concertos de Vivaldi transcrits pour clavecin seul par J.S. Bach’
Released 1968 by Cycnus 9.011
Enreglstremem realise a Lugano, en la cathedrale San Lorenzo, grace a la courtoisie de Don Cortella, le 7 Octobre 1963.
Micro stereophonique Neumann, sort U 67. Ingenieur du son: Peter Willemoes Courbe d ‘enreqistrement et de gravure: CCIR Cycnus 9011
Les 2° et 3° mouvements du Concerto N° three ne sont probablement pas de Vivaldi., Nous n ‘avons pas cru necessaire de publier les 2° et 3° mouvements au Concerto N° six, qui ne sont certainement pas de Vivaldi et ne presentent que peu d’interet.
Face A
Concerto no 1 en ré majeur BWV 972
00:00 Allegro
02:16 Larghetto
05:35 Allegro
Concerto no two en sol majeur BWV 973
08:ten Allegro
ten:55 Largo
13:35 Allegro
Concerto no three en sol mineur BWV 975
16:15 Allegro
19:42 Largo
24:07 Gigue Presto
Face B
Concerto no four en ut majeur BWV 976 11’08
26:01 Allegro
30:11 Largo
33:38 Allegro
Concerto no five en la majeur BWV 978 8’20
37:13 Allegro
39:54 Largo
42:43 Allegro
Concerto no six en sol majeur BWV 980 4’15
45:36 Allegro
It is curious and important that by way of
these pieces we get to the really heart of J.S.
Bach, the quintessence of his functions in addition
luciano Sgrizzi’s overall performance restores
a fantastic mixture: that of the italian and
german genius.
“Arrangements,” 1 could say … yes, and
therein lies the miracle. Arrangements,
very simple transcriptions even, normally carried out as·an
physical exercise by Bach to satisfy his wish for
eX,lOerience and a specific academicism and
also so as to have some material when expected
to carry out. Is that all? If 1 could answer
that query 1 would have succeeded
in .psychoanalyzing Bach. At any price 1
. can establish specific information right here, and giveperhaps
imprudentlyone’s personal opinion.
1 forgets all as well .quickly that B’ach was the
comtemporary, in its wider sense, of his sons
WilhelmFriedmann and Karl Philipp Emanuel,
not to mention Telemann, born 4 years
ahead of him and susceptible to all the new
trends. .’
J.S. Bach turned towards “oldfashioned”
counterpoint at a time when it had disappeared
everywhere else. That is why his also
disappeared immediately after his death.
To go even additional, Bach was a man of the
Middle Ages, and thus a stranger to
what the Renaissance had been insidiously
introducing for the final 200 years into the
cult of musical individualism. He loved to
operate in what had currently been worked. The
artisan gave way to the artist almost everything points
to it, eV.en mare so in the classical era that
11 est etrange et significatif que nous accedions,
par ces pieces, au cceur meme de
J.S. Bach, au centre du corps de son ceuvre
outre que le jeu exemplaire de Luciano Sgrizzi
restitue une exemplaire confluence : celle
des genies italien et germanique~
” Arrangements”, diraFon… oui et le
miracle est la. Arrangements, simples . transcriptions,
meme, souvent, faits par J .five. Bach
pour son etude, pour satisfaire son goOt de
I’experience et de la pedagogie, afin aussi
d’avoir de la matiere 10rsqu’iI est oblige de
donner des executions musicales. Estce la
tout? Repondre, sera it psychanalyser le
compositeur. Du moins, pouvonsnous operer
quelques constatations, et donner imprudemment
·notre point de vue.
On oublie trop que Bach est, llU’ sens significant,
le contemporain de ses fils WilhelmFriedmann
et KarlPhilip Emmanuel, sans parler
d’un Telemann, ne quatre ans avant Iui et
ouvert a tous les courants nouveaux.
J.S. Bach est tourne vers le vieux contrepoint
a une epoque oCr celuici est elimine
partout ailleurs. C’est pourquoi luimeme sera
elimine apres sa mort.
tiT.. .
Disons mieux : Bach est un homme du
MoyenAge, etranger a ce que la Renaissance
a commence d’apporter, insidieusement,
depuis deux siecles, au culte de I’individualisme
musical. Sa p’assion est de travailler
ce qui a deja ete travaille. L’artisan va faire
spot a I’artiste tout le laisse presager, plus
encore qu’au cours de I’ere classique qui
suivra, et qui ioterrompra provisoirement ·un
specific courant romantique BHch est en
N.B. Les 2′ et 3′ mouvements du Concerto
N° three ne sont , probablement pas de
Vivaldi.,
Now: n’avons oas cru necessaire de
followed, and temporarily interrupted a specific
romantic trend from which Bach stands apart,
but whiCh WilhelmFriedmann and Gluck so
amply illustrate. What a paradox! It is in
reality beciiluse of his opposition to preromanticism
a movement mingled with the sources
of classicism, then stifled by him only to
spr!ng up againthat Bach is viewed as by
romantics as a precursor. Nonetheless his
genius lies in the way in which he accomplished a
mixture (his meditation. as we know, is
studied, as his joy is meditative). He attaches
significantly less value to discovery than to arrange~
ment. Only God can build Bach’s philosophy
of art is of a theological nature. So also
is the tolerance with which he tempered his
habitual severity towards his sons.

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Neupert LucianoSgrizzi

Luciano Sgrizzi (harpsichord) J.S. Bach, Concertos (Vivaldi) pour clavecin seul par J.S. Bach

Carl Czerny – Grandes études de salon, Op.756/five


score: https://imslp.org/wiki/Grandes_%C3%A9tudes_de_salon%2C_Op.756_(Czerny%2C_Carl)

Carl Czerny - Grandes études de salon, Op.756/5

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